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ABOUT NANCY ECKELS

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As a child, little did Nancy Eckels know when she won a prize in a children's art contest, it would be a hint of what her future would hold. She had submitted a small still life drawing of a composition that her mother had set up for her, and part of the reward was having the drawing reproduced in the company magazine where her father worked. Of course, other hints were there. The most obvious being the fact that her mother and father met in an oil painting class and together took lessons from a famous east coast illustrator named Frank E. Schoonover. Eckels' aunts and uncles were all artists, so she and her sister (who is also an artist) were immersed in art from beginning. When her mother's family got together, there was a lot of giggling, storytelling, and art talk. Whenever she visited her aunts and uncles, there was always a conversation with them about whatever they had just painted or sculpted.
A childhood full of exposure to art began in upstate New York in the 1950s. At age 7, Eckels' father a chemical engineer in the defense industry, was transferred to Salt Lake City, Utah where she did most of her growing up amidst beautiful scenery, snow skiing, and a handy proximity to many national parks. Her father used their home as National Park Central. Everyone who visited her family was soon hustled into the car and driven off to a national park like Yellowstone or Arches. Eckels has visited many of the parks...several of them more than once. In addition, the family spent time in the mountains fishing and having picnics in the rustic canyons east of Salt Lake City. Her father was instrumental in instilling a love of everything mother nature could supply.
Her mother stayed at home to raise her two daughters, and in addition, was often involved in creative endeavors. She taught the sisters many of the lessons of art. Eckels dabbled in art as a child, drawing portraits of her favorite celebrities, and sketching still life compositions.
There was never a pivotal moment or event when she suddenly knew that she wanted to be an artist...Eckels just always dabbled at it, even when involved in other pursuits. She knew early on that she wanted to be in show business. She went to a college in Southern California that emphasized the performing arts, and after graduation, Eckels spent 25 years behind the cameras in the television industry in Los Angeles. She was a director on a daytime drama called, "The Bold and the Beautiful" when she decided to try art as a profession. She wanted to do something that was truly an expression of herself, that didn't involve the opinions and influences of others. She began to paint full time and within a few months, was participating in art shows and festivals all over the U.S. Wanting to get her work in front of art lovers as fast as she could, she realized that these shows were, at least temporarily, the best way to do that. Eckels participated in workshops from several experimental artists who influenced her, getting her headed in the right direction. Among those were Carole Barnes, Pat Dews, and Katherine Chang Liu. She also spent a lot of time looking at art in books, museums and galleries.
Since her work is totally abstract, it comes entirely from her head, heart, and imagination. Anything that has contributed to her sense of color, texture and composition, becomes the basis of what eventually comes from her hands and brushes. Her visits with nature during her childhood were, she is sure, a very big part of what comes from her brain when she's painting. Eckels says, "Painting from a photo tends to be a little confining for me, bordering on tedious, and copying something I'm seeing in front of me doesn't satisfy my sense of creativity. I don't want to re-create something that already is...I want to make something new, that you can find only in my head. I've often thought that abstract art is the purest form of what people consider "original", or one-of-a-kind art. You can paint the Grand Canyon over and over, and you can paint it wonderfully and expressively, but it's still the Grand Canyon. However, you can't see a piece of abstract art any other place but on that one piece of canvas...and that to me is really a one-of-a-kind "original".
I love experimenting with combinations of color, making colors pop against each other, pulling some forward and pushing some back to create depth. I love making the texture, color and composition the ONLY things I need to concentrate on when I create. It's just so freeing to my imagination".
Developing her technique has been, and probably will always be, an ongoing and delightful pursuit. The most difficult part early on was reigning in her impulse to try everything at least once. When she finally developed a look that was all hers, it happened because she kept what she liked about her work, and gradually let the rest slip away.
Eckels says she is influenced by everything she sees. For instance, she'll see a painting, or flower garden, or photograph that contains a certain combination of colors and will try to use that in her next painting. She explains that she really has no major influences that relate to specific artists, but she's sure that she subconsciously uses ideas from every artist whose work she has looked at or admired. She says, "I have always had the idea in my head that I did not want to be like anyone else. I did not want to be average,and I did not want my work to look like anyone else's work. I remember my artist aunt visiting me in my art booth during a show years ago and mentioning that she had been looking at the work of my neighbor artist. She told me that she could tell who that artist had studied with because the work was similar to the work of the teacher, I thought that was the worst thing I would ever want to be told...that my work looked like someone else's."
Currently, she enjoys her life of "commuting" from her bedroom to her studio down the hall. It's a great improvement from her years commuting by freeway to her television job. She has also left behind the days of traveling long distances to fairs and festivals which has given her more time to paint and enjoy other aspects of her life. Art is a solitary existence, so social occasions are important. She especially appreciates her three local art friends who join her for art lunches. They talk art marketing, art making, and enjoy some mutual ego-boosting. She says it's a wonderful grounding experience to have these friends, and they truly appreciate each other.
Nancy has had a lifelong interest in the ocean. Eckels loves to snorkel and scuba dive. The colors of the beach, the tropical ocean, and the fish and corals that live below influence her when she paints. Her other very unusual and unrelated obsession, in addition to painting, is poker. Several decades ago, purely by accident, she watched a poker tournament on television and was fascinated by the math, the odds, the bluffing, and , yes, the creativity of being a great poker player. She plays in a group once a week near her home, and occasionally travels to a big tournament.
Several years ago, Nancy was diagnosed with stage 3 breast cancer. Through the chemo, two surgeries, radiation and recovery, the two things that kept her mind from dwelling on her treatment were painting and poker. She says that they were a great combination! In addition, she has a wonderful husband who is her best friend and greatest supporter. She explains, "We have been together for a very long time and he is priceless."
Currently, they live in Canyon Country, California, a beautiful area in the foothills about 40 miles north of Los Angeles.
Her mission continues. That is to continue to create special paintings that speak to her and her collectors. And she will keep applying paint to every canvas with that in mind!


You can see additional paintings at Nancy's daily blog
http://nancyeckels.blogspot.com


GALLERIES
Carre d'artistes

Atlanta GA

Casco Bay Artisans

Portland ME  



AWARDS



2nd Place, Painting
Beverly Hills Art Show, Spring 2016

Second Place Masters Category 2006, 2007
Santa Clarita Artist Association Art Classic

Finalist, The Artist's Magazine over 60 competition
Abstract/Experimental category March 2014 issue

Finalist, The Artist's Magazine
Abstract/Experimental category December 2013 issue

Mayors Choice Award, Rancho Mirage Art Affaire 2012
Mayor of the City of Rancho Mirage, Scott Hines

Mayors Choice Award 2014
Mayor of the City of Rancho Mirage

First Place Gold Award, Acrylic
Santa Clarita Artists Association Art Classic 2001

Best of Show
Santa Clarita Artists Association Art Classic 2001

Best of Show
Santa Clarita Artists Association Art Classic 2000

First Place Gold Award, Acrylic
Santa Clarita Artists Association Art Classic 2000

Best of Show, Acrylics
Artfest 2000 of Henderson, NV

Second Place, Acrylic
Lake Arrowhead Art Festival 2000

First Place Gold Award, Acrylic
Santa Clarita Artist Assn. Art Classic

Second Place Acrylic/Oil
Conejo Valley Art Museum 1000 Oaks Art Walk 2003

First Place Acrylic
Rancho Mirage Art Affaire



JURIED ART FESTIVALS AND EXHIBITIONS
Bellevue Festival of the Arts, Bellevue, WA

La Quinta Arts Festival, La Quinta, CA

Port Clinton Art Festival, Highland Park, IL

Oak Brook Invitational, Oakbrook, IL

Art Methods and Materials Art Exhibition, Pasadena, CA

Uptown Minneapolis Art Festival, Minneapolis, MN

State Street Area Art Festival, Ann Arbor, MI

Vail Art Festival, Vail, CO

Conejo Valley Art Museum 1000 Oaks Art Walk, Thousand Oaks, CA

Marin Art Festival, San Rafael, CA

Oklahoma City Festival of the Arts, Oklahoma City, OK

La Jolla Art and Food Faire, La Jolla, CA

Carefree Art and Wine Festival, Carefree, AZ

Scottsdale Arts Festival




If you are interested in purchasing an original, or just have a question,
please contact Nancy by e-mail Nancy@NancyEckels.com or telephone (661) 252-9868



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e-mail nancy@nancyeckels.com • telephone 661.252.9868

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